Cyn Vargas’ short story collection, On The Way, received positive reviews from Shelf Awareness, Library Journal, Heavy Feather Review, Necessary Fiction, among others. Book accolades include: Book Scrolling's Best Short Story Collections of All Time, Newcity Lit’s Top 5 Fiction Books by Chicago Authors, Chicago Book Review’s Favorite Books of 2015, Bustle’s 11 Short Story Collections Your Book Club Will Love, and Chicago Writers Association 2015 Book of the Year Honorable Mention.
Cyn's prose and essays have been widely published and she received a Top 25 Finalist and Honorable Mention in two of Glimmer Train's Short Story Award for New Writers Contests, is the recipient of the Guild Literary Complex Prose Award in Fiction, a company member of the award-winning storytelling organization 2nd story, on the Board of Directors for Hypertext Studio, twice selected as artist-in-residence at the Ragdale Foundation and teaches at StoryStudio Chicago. She earned an MFA in Creative Writing from Columbia College Chicago and is currently working on her first novel.
In the Press
In her debut collection, Vargas invests her characters with heart while ably articulating their missed connections. An American girl cannot accept her mother’s disappearance while they are visiting relatives in Guatemala; a young woman assaulted by her father after her parents’ divorce cannot forgive her mother for failing to intervene; a diffident DMV employee cannot speak out when he falls for a young woman taking a driving test. VERDICT Moving and accomplished.
Top Stories: Spring/Summer 12New Collections from Writers to Watch
On the Way is a group of stories that are often about loss, regret, and unrequited feelings. What almost every story demonstrates is the moment in a character’s life beyond which everything will have to change. However, one thing Vargas is willing to show—which many other writers are not—is the painful, often boundless stretch of time between the moment of drama and its distant resonance: her stories echo Alice Munro’s as they leapfrog months, even years, using nothing more than a paragraph break.
HEAVY FEATHER REVIEW
One of the more recent short story collections to have made a major impact on me, On the Way is Vargas' big debut and I was seriously impressed. Her characters are the stories, and nearly all of the stories follow some version of a loss or gain in life. Touching on those moments in life when you wish to act out but choose to stay in the shadows, this short collection of short stories is a perfect fit for any book club.
Cyn Vargas has the ability to capture dreamily-fleeting moments other writers overlook. Cyn’s debut collection showcases her sharp humor and keen observations. The stories explore men and women, parents and children, immigrants, abuse, and the struggles of first-generation Americans. Her stories shift elegantly from humorous to gut-wrenching.
Her language feels like a colorful swirl, whether it illustrates sunny Guatemala or gritty Chicago. Her writing veers between brusque and elaborate sentences, third and first person, but never feels prescribed, always appropriate and real. She’s got, quite simply, a way with words.
In this debut collection, Vargas manages to strip human connection down to its messy, infuriating, and ultimately beautiful core. With authentic prose, she straps relationships—familial, friendly, romantic, sexual—to chairs and shines on them a bright light, breaking each down with a calm, introspective interrogation until they reveal their secrets. Every story digs deep into what it means to be tethered to someone else in an honest, unrelenting way that will leave readers both squirming and desperately needing more.
INTO THE VOID MAGAZINE
Best Short Story Collections of All Time
Top 5 Fiction Books by Chicago Authors
Chicago's Favorite Books of 2015
CHICAGO BOOK REVIEW
Honorable Mention, 2015 Book of the Year
CHICAGO WRITERS ASSOCIATION
11 Short Story Collections Your Book Club Will Love
First: I flat-out love this book. I do. Second: I love that Cyn Vargas is in the world to have written this book. She’s a mischievously good writer who lures you in with her humor and then breaks your heart in these generous and compelling stories about good people who are often haunted by what’s missing in their lives. Third: If you are reading this, start reaching for your credit card. I want you to buy this book. It’ll be the best decision you’ve made in a long, long time. Trust me.
JOHN MCNALLY, author of After the Workshop
The first word that came to mind after reading this collection was graceful. Cyn Vargas puts the reader in an immediate state of self-reflection with her stories. If you can stand some self-reflection on loneliness, childhood, marriage, and family secrets, then this book will not disappoint you.
Cyn Vargas's debut collection, On the Way, is marked by a sense of universal heartbreak and hope. In a dozen stories that quietly and considerately follow the lives of displaced, alienated Central Americans whose lives revolve around immigration, expatriation and escapes, Vargas shows how deeply many of the world's upheavals affect individuals.
Vargas deftly uses a candid, unadorned voice to frame an often unkind world. Her hopeful conclusion in these tales, though, is that nobody is ever truly alone.
The prose in Cyn Vargas’s debut collection, On the Way, has a casual, unforced power. Vargas is a writer capable of sketching out a setting in a few short sentences, and this skill with compression allows her to present a much wider array of fictional worlds than one might expect from such a slim volume.
The narrators of Cyn Vargas’s stories tell quiet, deceptively simple accounts of loss, family mysteries, and their earned understanding of their experiences. The stories in On the Way are simple in language and prose style and complex in their emotional freight… Each narrator has a story they know to tell, but a second story bleeds through, a story that speaks of darkness, fear, compassion, or courage, a story that reveals itself in the act of telling.
Cyn Vargas brings her readers a whole world of unforgettable women, old and young, tough and getting tougher. Her narrators must continually negotiate with the tragedy, cruelty, and sweetness of their ever-changing lives, against the twin landscapes of America and Central America. In these fresh, sensual stories, Vargas bravely explores family, friendship and irreconcilable loss, and she will break your heart nicely.
CAMPBELL, author of the bestselling novel, Once Upon a River
It’s rare for stories about childhood, friendship, the elderly, marriage, family secrets, and loneliness and longing to be told with quiet beauty and grace, but the stories in ON THE WAY accomplish just that. Cyn Vargas approaches her characters with a delicate and loving hand, always honest, sometimes angry, but never judgmental. Just like how we approach the people we love – whether we’re bound to them by blood or by choice.
MARK PROTOSEVICH screenwriter, I Am Legend, Oldboy, The Cell